Falling Into the Sky: An Interview with Voidbringer

By Ana Dujakovic

Although emo isn’t a genre that we typically think of when talking about black metal and metal in general, they have many shared themes and elements. Both genres often deal with darker lyrics and imagery as well as highly emotional contexts for the creation of the music, whether that is rage, frustration and/or sadness. This can especially be said of sub genres like DSBM, which is a more “emo” offshoot of black metal (one could argue, anyway). Voidbringer helps bridge the gap by combining and blending all these genres into their music, and bringing a fresh take on a lot of sounds.

Can you elaborate about how and when you started your musical project and what inspired you to create it?

Voidbringer started officially in 2015. I was never really an acoustic person, but I started to get into it and wanted an outlet for my ideas that wouldn’t fit in with my heavier bands at the time. Around then was also when I started to get more confident in my clean singing abilities and Voidbringer seemed to just develop naturally. First as a much more metal-inspired acoustic project, and later dropping a lot of the metal elements and shifting to a lighter, more atmospheric sound.

What are some of your musical influences for the music you create (bands and genres)? Do you feel you blend any genres together? (And if so, why did you think they’d be a suitable fit?)

I often don’t know what genre to call Voidbringer, but it’s really based in a mix of Midwest emo, black metal, and lo-fi/atmospheric. While these are 3 very different styles, I feel that they all have common themes and emotions that both clash and blend nicely. I take a lot of influence from Owen, American Football, Wolves in the Throne Room, and A L E X (Alicks).

You describe yourself as occult emo, what aspects of the occult inspire or interest you? 

I’ll always be a black metal nerd at heart and I know that spills over into everything I ever write, haha. I’ve always taken an interest in witchcraft and grew up around it, and I’ve always been drawn to darker themes. To say my lyrics can get spiritually dark at times would be an understatement.

How does the environment of where you live or where you’ve grown up influence your music? Do darker times (such as long, bleak winters) assist with the emotional expression in your work?

For sure, both where I grew up in the Boston, MA area and where I’ve lived since the age of thirteen in Central Illinois definitely influence my work. The harsh Midwest winters were a pretty big theme in my last release (Drowning in the Stars). The winters here are brutal and incredibly cold and the summers are long and excruciatingly humid, and for the most part the area is desolate for over half the year. Endless cornfields and isolation can be great inspiration.

How did antifascism become meaningful to you? What are some of your life experiences and/or perspectives that led you to value antifascism?

Growing up poor in the city and seeing the darker side of life at a young age always played a big part in my views. Once I really started paying attention to what my views aligned with, it became clear to me that I was definitely very much against fascism and far-right ideology. 

Are there other antifascist or leftist projects/artists/bands that you can recommend? 

Exalted Woe records for sure, they’re doing great things.

What can other musicians do that can help themselves become more antifascist or become allies for the cause?

Stay informed and seek out information! Do your research and urge others to do the same. Perhaps look into joining a local organization if there are any in your area.

What plans do you have for the future regarding your music (recording/shows/collaborations/etc.)? 

I’m going to try to start playing live again soon, as well as work on putting together a proper full-length album to release in early 2022. I’m also working on new music for my black metal band, Pestilent Creation; I’m definitely not subtle about my views there either.

What made you decide to produce lo-fi music? Are you a fan of lo-fi sounds and musicians? Will your music stay in this type of style? 

While I’m a fan of high quality production, I feel that some music is delivered best in a more raw form. I’m both a huge black metal nerd and a huge vaporwave nerd so I’ve always been drawn to lo-fi styles, and for the most part I see Voidbringer staying relatively lo-fi. It fits the vibe I try to create perfectly, as a mainly acoustic-based project.

What are some of your passions and hobbies outside of writing and recording? 

Outside of writing and recording, l spend a lot of time repairing and modifying guitars. I’ll never understand why I love guitars so much, but to me they’re the coolest thing in the world. 

Make sure to check out Voidbringer at Bandcamp. We have added one of their tracks to our Antifascist Neofolk Playlist on Spotify and on our upcoming grindcore playlit as well.