Terrorfest Brings Antifascist Black Metal and Grindcore to the Pacific Northwest

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2019 is set to be the year that explicitly antifascist metal takes over the scene.  In January, former Noisey metal editor Kim Kelly launched the first ever Black Flags Over Brooklyn antifascist metal festival, highlighting bands that were down with an antiracist and left-wing bent.  This helped to coagulate a trend that has existed for years, metal bands that are shutting off the small racist corner who tries to twist the music for their own recruitment.  Over the past year, bands that have taken their antifascist position a step further, like Gaylord and Neckbeard Deathcamp, have made headlines, meaning that it is no longer enough to simply reject white nationalist politics, musicians are being asked to take a stand.

Just a few months later, many of the bands that have led the way in this antifascist metal and grind scene are being featured at Northwest Terrorfest (May 30th-June 2nd), one of the biggest black metal and grindcore festivals of the year.  Terrorfest has happened annually the past few years in Seattle, Washington, bringing in 3-4 of aggressive edge music that mixes some of the most experimental loud bands touring right now.

Terrorfest is headlined by grindcore behemoth Pig Destroyer, and features a number of bands known throughout the antifascist scene, and several who were also featured at Black Flags Over Brooklyn.  

We wanted to highlight a few of these bands who will be at the festival, and who cross our paths in the murky world of neofolk/black metal/”extreme” sound.  We will put Bandcamp links to each band below, and are starting a Northwest Terrorfest Spotify playlist to highlight a few of these bands (unfortunately, not all of them are on Spotify).  Take note, these are (mostly) not neofolk acts so we are not adding them to the Antifascist Neofolk Spotify playlist (except for Dawn Ray’d and Panopticon, which is already on there).
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Dawn Ray’d

This may be the most well known of this slate of antifascist black metal bands since it is one of the most upfront about their politics, while also being well situated in a more traditional black metal sound.  Britain’s Dawn Ray’d will be headlining the Barboza stage on Thursday (5/30) night, along with bands like Ken Mode, Addaura, and Dead to a Dying World.  Their aggressive, working-class anarchist politics drive Dawn Ray’d’s uniquely different take on black metal iconoclastic misanthropy, and have stood on conviction in a scene often screaming to “not make things political.”  The symphonic side of their music will set well with with neofolk fans, which is why we are adding a single song to the Antifascist Neofolk Spotify playlist.

 

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Closet Witch

Closet Witch is one of the most aggressive power violence our right now, led by a woman, has always had a certain up-front consciousness about pushing out Nazis in the scene and highlighting marginalized musicians.  Their short blasts of ultraviolence are a stray from the neofolk scene, but will be perfectly set along bands like Pig Destroyer at Terrorfest. This is pure musical violence all set into a DIY frenzy, perfect for coming out of Iowa’s heartland and shattering the boundaries in festivals like these.

 

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Photo Credit: Farrah Skeiky (http://farrahskeiky.com/)

Cloud Rat

A band like Cloud Rat is on the edge for a festival like this since it feels much more at home in a crust hardcore basement, brief blasts of punk fire.  Cloud Rat, like Dawn Ray’d and Closet Witch, were featured at Black Flags Over Brooklyn, a big statement of cross-fringe solidarity. Their frenetic sound will be a good match to some of the slower, symphonic noise tracks of bands like Addaura.

 

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Panopticon

The Terrorfest set by Panopticon may be the best situated for A Blaze Ansuz.  On Wednesday night, before the primary three days of the festival, A. Lunn of Panopticon will play an acoustic set more in line with the neofolk sound.  This is the kind of tracks we highlighted in our article about the pagan metal band Panopticon, known for its labor and anarchist folk songs out of Appalachia.  This is a unique treat, and one that can help to bridge the two scene, and if you can add the Wednesday night ticket to your package we highlighly recommend it.

 

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Photo by Suren Karapetyan

Despise You

This famous powerviolence five piece from Inglewood, California is known for being one of the most aggressively angry bands on the planets, both in sound and lyrics.  They are not known for their heavy political stance, but as they feature artists of color and have stood against racist assholes, we feel comfortable selling them as a part of this slate at Terrorfest.  Despise You has been one of the few bands in the genre that is well centered in communities of color that talks about the issues that actually affect them, like police and gang violence.  We are still waiting for the Capitalist Casualties/Despise You split that we are fantasizing about.

There are a ton of other great bands on the line-up that we haven’t seen much from politically, so hopefully playing with this great line-up will only grow the antifascist metal scene.  

Check out Northwest Terrorfest, and get your festival passes while they are still available.  There are two stages for the primary three days of the festival, and you can get tickets to both or either.  We also want to highlight that NW Terrofest has put that “attendees will be able to choose bathrooms which correspond to their gender identity” on their ticketing material, a move we encourage other promoters and venues to do as well.

Remember to check out our 2019 Northwest Terrorfest Spotify playlist, and always add our ongoing Antifascist Neofolk playlist!

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‘Out of the Shadows’ is a Queer-Trans Inclusive Darkwave Festival Happening in Portland

Out of the Shadows popped onto our radar this last week out of nowhere with a fantastic line-up all backed up an incredible mission.  Focusing on bringing darkwave and similar music to Portland, the festival is now in its fifth year and will be taking place over three days (April 4th-6th at the Tonic Lounge) and is a fundraiser for the progressive X-Ray.fm radio station and Trans Lifeline, a support center for providing critical resources to the trans community.

Making darkwave a way to help mobilize support for a transgender community under siege by the far-right in the U.S. does more than just raise money: it creates a physical space that declares right up front that it is queer and trans inclusive.  We caught up with the organizer Dave Cantrell to ask about the festival and why it is important to build open LGBT support in the darkwave and post-punk scene.

 

So first, what got you started doing the festival, and how has it grown since you started?

Out From The Shadows (OFTS) began in 2015 as on outgrowth of Songs From Under the Floorboard, the post-punk/darkwave radio show I host on XRAY fm here in Portland. The local scene was blossoming so dynamically that it seemed a good idea, and the right time, for an event bringing everyone together to both give exposure to the bands and to, in a way, celebrate what was happening. That first event was just a one-night affair with seven local bands, one from Olympia and one from Vancouver B.C., but the reception was enthusiastic enough to propel it into becoming a yearly event. Word kind of got out and I started getting requests from bands from out-of-state, which, in turn, made me realize this could work on a bigger scale so I began inviting bands from around the country and beyond, at which point year two became a 2-nighter and in 2017 it became the 3-night festival it is now.

 

How did you get connected with Trans Lifeline, and why is it important to you?

OFTS has been a benefit since the beginning. All proceeds beyond paying the artists, the venue, and whatever other ancillary costs, go to the beneficiary, which for the first three years was XRAY, a progressive, non-profit, listener-supported community radio station. Beginning last year, however, I decided to incorporate a co-beneficiary from the local or local-impacting community of LGBQTIA organizations, due primarily to the fraught political environment we all now find ourselves in, but as well because both my daughters are gay and much of the darkwave community itself, both here and pretty much everywhere, locates themselves somewhere along that spectrum. As for how I got connected to Trans Lifeline, there was an article about their efforts in the local alt.weekly (Willamette Week) and, y’know, the light bulb went off.

 

Why is it important to create an inclusive space in the darkwave scene?

Well, for one because all spaces should be, by definition, inclusive, but since that is not always the case, it’s of course important to provide safe environments for those that, simply by identifying as ‘other’ in some way, continue to feel imperiled in the broader society. And the fact that there’s been a notable regression in this regard since the 2016 election makes it all the more crucial. But anyway, for the most part, punk and its off-shoots have always been a place for self-identified outsiders to find safe harbor. One of the aspects of OFTS that’s most rewarding, actually, is the atmosphere that permeates the festival. It’s not unusual to tangibly feel a kind of electric joy in the room. That alone is reason to keep it going.

 

‘Out of the Shadows V” is hosted by XRAY’s Songs From Under the Floorboard radio show and Soundcontrol PDX and will be held on Thursday, Friday, and Saturday night at the Tonic Lounge (3100 NE Sandy, Portland)

Check out a few of this year’s bands on Bandcamp!